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Matt Molloy’s Pub in Westport: Trad Music, the Chieftains, and a County Mayo Institution

There are pubs in Ireland that happen to have music, and then there are pubs where the music is the entire point. Matt Molloy’s on Bridge Street in Westport falls firmly into the second category, and the reason is right there in the name above the door. Matt Molloy has been the flute player with the Chieftains since 1979, one of the most celebrated traditional musicians Ireland has ever produced, and in 1989 he opened this pub in the heart of one of Connacht’s most welcoming towns. That combination — a world-class musician, a genuinely lovely County Mayo town, and a pub that takes its trad session seriously — has made the place something of a pilgrimage destination for anyone who cares about Irish music done properly.

The pub sits on Bridge Street, one of Westport’s main thoroughfares, in a town that was unusually planned in the eighteenth century by the architect James Wyatt, giving it wide tree-lined malls and a certain Georgian order you don’t find in many Irish market towns. Matt Molloy’s fits right into that streetscape: a narrow-fronted, dark-painted premises that opens into a series of rooms, the front bar busy with locals and visitors mixing over pints of Guinness, and the back bar where the real action happens most evenings. The session in that back room runs on its own terms — musicians gather, tunes are called, sets of reels and jigs build and breathe without a microphone in sight. This is not a performance with a stage and a PA system. It is a proper session in the older sense, where the musicians face each other rather than an audience, and listeners are welcome but the music is not being packaged for them.

Matt Molloy himself is sometimes present, which for anyone with even a passing knowledge of Irish traditional music is a remarkable thing. He is considered among the finest flute players the tradition has produced, and his decades with the Chieftains — a band that took Irish music to Carnegie Hall, to Beijing, and to collaborations with everyone from Van Morrison to Ry Cooder — give the pub an authenticity that no amount of interior design could manufacture. The walls carry photographs and memorabilia that reflect that history, and the general atmosphere is one of a place that has earned its reputation rather than constructed it. Regulars, both local and from further afield, make up a good portion of the crowd on any given evening, which keeps the session grounded and prevents it from becoming purely a tourist spectacle.

Westport itself makes an excellent base for a few days in the west of Ireland, with Croagh Patrick — the great quartzite mountain associated with Saint Patrick — rising visibly to the south-west of town, and Clew Bay spreading out beyond it in a maze of drumlins and inlets. The town has a strong food culture, good accommodation at several price points, and the kind of compact, walkable centre that makes an evening moving between a few pubs entirely manageable. Matt Molloy’s tends to get busy as the night progresses, particularly in summer, so arriving reasonably early to secure a spot near the back bar is sound thinking. There is no cover charge for the session, which remains one of the genuinely good bargains in Irish pub culture — a pint and some of the finest traditional music in the country for the price of the drink in your hand.

Why It Matters Today

The trad session as a living, breathing social institution has faced real pressure in recent decades — from background music culture, from the economics of staffing, and from the gradual drift of younger musicians toward other genres. Pubs like Matt Molloy’s, where the session is treated as a serious and central thing rather than an afterthought or a marketing tool, do genuine work in keeping the tradition healthy. When visitors come specifically for the music, spend an evening listening properly, and leave with a greater understanding of what Irish traditional music actually sounds like at close range — not on a festival stage or through a streaming service, but in a low-ceilinged room with a handful of musicians playing for the love of it — that matters. It is also, frankly, one of the best evenings Ireland can offer any traveller who is paying attention.

Westport is a town that repays time spent in it, and Bridge Street on a weekday evening, with the sound of a flute and fiddle drifting out from the back of Matt Molloy’s, is as good an argument as any for slowing down and staying an extra night in County Mayo. Some places carry their reputation lightly and live up to it entirely — this is one of them.

Traditions like this one were carried across the Atlantic by Irish emigrants in the 1840s and beyond, kept alive in diaspora communities from Boston to Melbourne. If your family has Irish roots, our free Irish Ancestral Heritage Guide traces the specific county and townland they came from.

Westport is in County Mayo — one of the counties most devastated by the Great Famine, which sent hundreds of thousands of Mayo families to America and Britain. If your surname is a Mayo name — Moran, Walsh, Burke, Gibbons, Quinn — your ancestors may have played trad music in pubs not unlike this one. Our free Irish Ancestral Heritage Guide includes county-specific emigration records and townland maps for Mayo and all of Ireland. Trace your Mayo or Irish roots here — free.

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